Have you ever thought about a simple soap bubble?
It’s a beautiful and amazing creation, air trapped in layers of soap film, a fragile phenomenon combining surface tension and elasticity.I always enjoyed playing with bubble wands, seeing how big I could make the bubbles and how long they would last. How hard it is to keep that bubble from breaking!
“Living in a bubble” is a common metaphor for being protected and isolated from potentially harmful surroundings. But what if in escaping from the bubble, we actually become free? What if “bursting our bubble” means the release from confining limiting beliefs or habits? What possibilites might exist for us on the outside that we don’t see when we are on the inside?
Imagine for a moment that your musical habits and perceptions are your bubble. That bubble is made of all the positive ways in which you support your musical growth, like continuing to learn and study, regular practice, and sharing your music...
Concert at the Paris Conservatory, 1843
The music conservatory: a hothouse for nurturing musical talent and an opportunity available to only the select few. For hundreds of years these elite music schools have trained world-class musicians and the tradition continues. The focused atmosphere and the access to instruction from the finest teachers and performers make a conservatory education the goal of many ambitious music students.
So how do you get a conservatory education? There are two ways. First, let’s consider the content of a “conservatory education."
(One quick note: in using the term “conservatory” I am by no means excluding the many excellent university and college music departments and their programs, many of which equal any conservatory in superb faculty and famous alumni. I myself am proud to be part of such a university music program at the University of Delaware.)
What exactly constitutes a conservatory education? There are many components of...
Is bass clef slowing you down? It’s something of a mystery to me why bass clef should present a stumbling block to harpists who read treble clef perfectly well.
Perhaps we just put more effort into learning (and teaching!) treble clef and figure that bass clef will get better over time. Or maybe we are so eager to play more music that we don’t spend quite enough time on all the fundamentals that would make learning music easier.
But it’s not too late. You can improve your bass clef reading. And it’s not too hard, either.
But you need to do a little practice on it every day.
In this post, I will give you five ways you can start improving your bass clef reading today. (Of course this will work for any clef you need to learn or just want to read better.)
I don’t like starting a blog post with such a negative title, but I might as well admit it; sometimes we have to play music we just don’t like. You can probably instantly bring to mind that one piece of music you really can’t stand. Maybe it’s a holiday carol you’ve heard in too many shopping malls or maybe it’s just a piece that is definitely not your musical style. But now you have to play it, and so you sigh, maybe grit your teeth a little, and prepare to endure – oops, I mean, practice – it.
Just because you love music doesn’t mean you like all music. I have fairly eclectic musical interests myself, but I always smile when I remember my parents’ totally divergent interests. Both music lovers, they enjoyed a subscription to the opera for a number of years. My mother wept happily through the Italian grand opera masterworks, while my father slept his way through them. His interest, though, was captivated by the Mozart...
It’s Sunday night, and I’m watching football, fingers crossed for the success of my Philadelphia Eagles.And then it hits me.May be music and football have more in common than I thought…
1. “Football” doesn’t mean the same thing to everyone, just ask a Brit who thinks it should be played with a round ball and a goalkeeper. Music isn’t just one thing either. Different styles and genres, instrumental or choral, rap, pop or jazz – it’s all still music. Find your particular focus and passion and enjoy the ride.
2. Football is about showing up every day. Peyton Manning, quarterback of the Denver Broncos, is known for his dedication not only on the practice field but in his off the field studies as well. His in-depth study of the opposing teams and his dedication to every aspect of his sport have contributed to his superstar football career. This kind of dedication is what makes a superstar musician as well. Practicing, performing,...
Scales aren't just about technique.
Scales happen in "real" music too, and when we need to play them, we want them to be expressive, fluid and musical.
In this video, I demonstrate seven steps you can use to make your scales more beautiful in anything you play. And I have prepared a handy reference checklist for you as well. Just click on the link, enter your email address and it will be on it's way to you!
Thanks for watching the video!
Practice, practice, practice; the story of the musician’s life. And we hope that by devoting many hours to practice, we will be able to perform when it counts. But we should be able to do more than just hope.
Preparing for performance, whether it’s a lesson or a recital, is a matter of practicing in three very different ways, and these three vignettes about a kick, an arrow and a glass of water are perfect illustrations.
The Kick: Proper practice
Bruce Lee was an American martial artist and film and television actor. He is a legend among fans of martial arts films. He founded his own style of martial arts which emphasized practicality, flexibility, speed, and efficiency.
I fear not the man who has practiced 10,000 kicks once, but I fear the man who has practiced one kick 10,000 times. – Bruce Lee
If we are to play any piece of music well, we need to know it as thoroughly as the man that practiced one kick 10,000 times. Intimate and deep-rooted knowledge of all...
Blog Harp in the Mountains 2018! About Anne Resources Contact MY HARP MASTERY Where is Music Leading You? POSTED ON OCTOBER 19, 2015 BY ANNE Vecchio portone con batacchi leoniniDo you think you know where music is leading you? Is it to a career, a fulfilling avocation, or a rewarding way to connect with other people? Or are you approaching one of those places where you’re not sure what the next step is or which way to go?
There are often “opportunity moments” in music study, moments when we experience the power and possibility in going a new direction or trying something new. Your first musical “opportunity moment” was probably when you decided on an instrument to study. That was the beginning of a musical journey for you, and you ave likely discovered since then that the path was not as straight or as clear as you had expected.
Professional musicians exude a confidence that is the envy of many aspiring music students. They seem unflustered and calm,not burdened with nerves or uncertainty. How did they get to that level of security? And how can you get even a little bit of that for yourself?
The secret to that confidence is easy to identify; it’s experience. Whatever it is, whatever sort of performance, whatever type of music, they’ve done it before, and probably many times over many years.
We all understand the value of experience, how it is a foundation that supports you and a cushion that prevents hard landings. But do you know what kind of experience you need? And do you know how to use your experience to best advantage?
The most obvious kind of experience is performing experience. Playing everywhere you can and for every audience you can find is the easiest way to create comfort for yourself when you perform. That doesn’t mean every concert will be easy or that you will never feel...
It’s no secret that the person in our mirror is the one that can make the biggest impact on our lives. If you feel like you’re doingGirl walking through a magic door in sky everything right, but it’s still not working, this story is for you…
Many years ago, I started karate lessons. It wasn’t something I had ever thought I would be doing, but when my son started karate, it seemed like an interesting idea. I liked the structure, the discipline and the exercise, both physical and mental, that it demanded.
Only weeks after we started, the studio help a “board breaking” event, where all the students were invited to come and be instructed on how to break boards with their hands. Naturally I was a little concerned for my hands, but the sensei (who was also a musician) assured me that I would not hurt my hands and that, yes, even brand-new beginners could do this.
So that evening, the younger students gathered in their circle and the adults...