Practicing Harp Happiness

I love riddles. Here’s an oldie but goodie for you. What’s the best way to eat an elephant? One bite at a time.

So what’s the best way to learn a piece? One bite at a time, obviously. It’s just that what constitutes a bite isn’t very obvious. How big is a bite? Is it a measure, a phrase or a page? Is it hands separately or hands together?  And how come the bites that worked for that piece don’t work for this piece? 

Dividing your pieces into sections is the way you create your “bites,” but there are lots of ways to section a piece, and no two pieces will have exactly the same sections. 

Sometimes finding the sections is easy. We can look at the piece and see an introduction, a first verse, a second verse and an ending. Those are the kind of sections that help us understand the piece.

Then there are the sections that help us practice the piece. These are typically fewer measures and a little more bite-sized, if you...

In my family, my grandmother’s sister was pretty much our favorite aunt. Aunt Dolie was sweet and generous, although she never had very much of her own and worked very hard all her life for what she did have. She was a gentle soul and totally without worldly savvy. She lacked a lot of practical knowledge, what we would call “know-how,” But that didn’t mean she was without courage. Hence, this family legend I am about to relate to you.

When Aunt Dolie was in her fifties, she decided she wanted to learn how to drive. As a city person, she had always used public transportation or relied on my grandparents for rides to the store or to the doctors. My grandfather helped her find a driving instructor. He knew that teaching her himself would likely push his patience past the breaking point. 

The driving instructor showed up for Aunt Dolie’s first driving lesson. They successfully navigated the difficulties of starting the car and pulling away from the...

I rarely have guests on the podcast, but today I’m so happy to be sharing the show with my dear friend and my former student turned colleague, harpist Candace Lark, If you’re a My Harp Mastery member or in our coaching program, you will already know and love Candace, because she is one of our Certified Coaches and helped me to found our Harp Quest program for young student harpists. But if you haven’t had the chance to meet her yet, you are in for a treat.

Candace isn’t only an extremely busy professional harpist, playing with all kinds of ensembles and in all kinds of venues (spoiler alert: she’ll tell us later about playing at Will Smith’s house), but she has another aspect to her musical life as well. Utilizing her years of performing and teaching experience, she created an online business called The Happy Musician Coaching. Her coaching helps musicians, not just harpists, create and meet specific goals while cultivating a mindset for musical...

Are you a free spirit, a rebel? Or maybe you just hate being told what to do?

I have to admit that sometimes one or more of those labels fits me. Most of the time I toe the line but there are moments when I just don’t want to do the thing I know I should do. Now I’m not talking about anything illegal, immoral or dangerous. It’s more like sometimes I just don’t feel like practicing. Or maybe I’d rather play the new piece of music I just bought instead of slogging through those four measures that are giving me so much grief. Going over and over those four measures doesn’t feel like making beautiful music. It doesn’t feel creative, and even though it may make me feel a little virtuous when I’m finished, it doesn’t always bring me joy in the moment.

Because playing the harp is not only as important to me as breathing but it’s my job, I know I need to buckle down and do the important work, and so I do. But that doesn’t...

When I was preparing for this week’s show, I couldn’t help being reminded of a couple of tired old jokes.

Patient: Doctor, it hurts when I do this. 
Doctor: Then don’t do that.

And,

Patient: Doctor, it hurts and I don’t know what’s wrong.
Doctor: Take two aspirin and call me in the morning.

When we’re thinking about our harp lessons, we may sometimes think of it like a doctor-patient relationship. Something is wrong with our playing and we want to get it fixed. Give me the prescription and let me go home.

Or we may think of our lessons in a less transactional, more relationship based-way. Our teacher isn’t just our expert harp guide but our friend as well. We look forward to our lessons as a time to reconnect with our harp and with our teacher too.

While both of those scenarios may be accurate to some extent, neither one truly describes what a music lesson is or should be. If our lessons are transactional - just give me the scrip, doc -...

We harpists take our finger placement seriously. Getting the right fingers on the right strings at the right time is paramount. One misplaced finger and a whole passage can go wobbly.

One of the quotes of Johann Sebastian Bach that comes to my mind at this moment is this one: “It's easy to play any musical instrument: all you have to do is touch the right key at the right time and the instrument will play itself.”

Bach was known for his sense of humor and so, without knowing the context for the quote,  I like to think that this was not intended to downplay the difficulty of playing an instrument but was more tongue in cheek. But it’s still a little depressing.

Our physical connection to the harp strings is key, not just for playing the right notes, but for our speed, our tone, our range of expression, our relaxation, even our confidence. When our fingers are too loosely placed on the strings, they can slide up or down or even off the string. This makes for...

Call me crazy if you want. I know your ideal day might be a day at the spa, or sitting on the beach with a good book, or going for a hike in the mountains. Although those all sound good to me, my ideal day - or at least one of my ideal days - would be a day when I could practice all day. A day when I only had to practice would be a true luxury for me. That's really not that crazy. I think a lot of harpists would feel that way. Maybe you would too.

Of course, the reality is that most of us are too busy most of the time for that ideal practice day. Usually we are sandwiching practice in between the other parts of our lives and often our harp playing ends up taking a back seat to tasks that are more urgent or the care we give to others. And when we do have time to practice, we don’t feel that we have time to get to everything on our practice list. 

It’s not uncommon to feel a little frustrated that we can’t spend the time we would like to with the harp. We...

My husband’s family is German, and even before we were married I discovered that one of the things I had long heard about German housewives was true, at least in my mother-in-law’s house: Germans take a clean house seriously. 

By American standards my own house isn’t filthy. I keep it fairly neat and decently clean. But my mother-in-law saw clean in a completely different way. There was no dust in her house, not even in the corners under the beds. She used paste wax to keep all the wood surfaces gleaming. And the only exceptions she made to the “keep your feet off the furniture” rule, were her grandsons. Cleaning didn’t just mean mopping the floor; it meant scrubbing it on your hands and knees. 

So why am I talking about this on the podcast? Because just like there are different levels of clean, there are different levels of knowing a piece. Sometimes we find this out the hard way, when we think we know a piece and then try to play it...

Today I’m going to tell you how to improve anything. I know that sounds like a tall order, but we harpists are all about improvement. Every day in every way we want to get better and better. Many of us like this idea too: slow and steady wins the race. Yes, but remember tortoises live for a very long time. They can afford to take only the slow and steady approach. Some of us have a little shorter time frame in mind.

I’m a fan of the author and productivity guru Brian Tracy. His book “Eat That Frog” is one of my favorites when I need a little kick to conquer my procrastination. There’s a quote from his book that I considered as a starting point for our discussion today: “Practice the philosophy of continuous improvement. Get a little bit better every single day.” 

But something about that left me a little unsatisfied. Yes, certainly the continuity of improvement, like practicing every day rather than once a week, is important for us...

I might as well get this out of the way. This is going to be one of those podcasts that sounds like it’s telling you you’re doing it all wrong and you’ve been doing it wrong for years. I say it’s going to sound like that, but I want to be clear that’s not the point of our topic today. The real point is finding a path to growth, a path forward, and often finding a path forward means doing something different. So I want you to approach this topic with that progress mindset, because the ideas I’m about to share with you about how I think you could or should approach a new piece might sound a little uncomfortable, and that’s exactly the point.

You may know that the only one-on-one teaching I do is with my Gold Circle students. These students are special, not because of their playing level - they run the gamut there - but because of their commitment to their harp playing. They take their harp playing seriously, and that’s why I feel...