Practicing Harp Happiness

There will never be a shortage of exercise books. As long as there are harpists, they will want to develop a more facile technique to make their playing easier, faster, more fluid and more musical.  Scales and arpeggios will always be staples of our technical work but obviously, there is so much more that goes into harp technique. And with the plethora of choices of exercise, etude and method books, where does a harpist start?

The short answer to that question is to just start; it doesn’t really matter where. Any technique growth is better than none. A steady progression of skills is even better, of course. Again the simple solution is a good one; work your way through any exercise book beginning to end and you will cover most of what your fingers need. When you’re finished with that book, choose another.

There are some technical issues, though, that are very common and yet are often resistant to the usual approaches. On today’s episode of the podcast, I want...

Tick, tick, tick, tick…the constant click of a metronome could conceivably drive a person crazy. I am now - although I wasn’t always - a metronome fan. Though this may sound crazy to some of you, the metronome is my favorite practice tool because it helps me fix errors, create flow and it gives me time to play a piece or a tricky passage correctly.

I realize that this may not be your experience with the metronome. Maybe your feeling about it is more like this:

If you’ve seen the classic movie Ben Hur, you already know what I’m talking about. If you haven’t, let me set the scene for you.

At one point in the tale, our hero Judah Ben Hur is a galley slave on a Roman ship, chained to an oar with several other slaves. The entire hold of the ship is filled with men chained to oars; they are the engine of the ship. In order for the slaves to generate enough power to move the ship, it is essential that they row in a coordinated way. So at the front of the...

Do you suffer from uneven scales, particularly when you cross under or over?
Do your fingers sometimes fumble to find the strings?
Is your tone warm and lovely some of the time and other times thin or weak?
Have the drills you’ve tried made no real difference?

Here’s the miracle solution to all these problems… and more!

If this sounds like a late night infomercial, I apologize, but I want to call your attention to the often overlooked, frequently misunderstood and almost always underappreciated member of your technique team - your wrist.

We harpists consider so many points of our technique - our fingers, arms and shoulders, our fingering, our placing. We worry about whether to raise or connect and in what situations one might be better than the other. Do we hold our elbows up or down? Should we sit on the edge of the bench or more in the middle and how high or low? So many questions and nearly as many different answers to each one.

When was the last time you thought...

Does your left hand struggle to keep up? Your right hand seems to have its act together, but your left hand always takes longer to feel comfortable with the notes, no matter what piece you’re learning. Are you thinking that I have a hidden camera in your practice room? Not at all; it’s simply that I have had my own left hand issues too. 

I used to think that if I were left handed I wouldn’t have these issues. But I hear many of my left-handed students, even the more advanced players, complaining about the same left hand awkwardness. So much for trying to become ambidextrous as a solution.

Even more frustrating is that the solutions I used to recommend to my students - the same ones I was using myself - really aren’t solutions at all. Sure they helped my left hand become more fluent and flexible, which I would call a big win. But I still saw my students struggle with left hand passages that should have been easily within their grasp. Or more precisely,...

Ask a group of harpists what the hardest part of playing the harp is and you’ll get a lot of different answers: the technique, playing hands together, reading the notes, playing chords, putting on a new string, or maybe even moving the harp. Every harpist has his or her own bugaboo, a particular challenge in their playing. 

But we all agree that one of the trickiest parts of playing the harp is the fingering. 

From the first day we started the harp it was impressed on us that we need to follow the printed fingering. Placing our fingers accurately and in the right order - all at once or one at a time - helps us battle gravity and stay physically connected to the strings. I like to think of us as musical acrobats - only without the death-defying aspect. So much of what our instrument demands of our technique requires us to be airborne. We have to lift our hands to prolong a sound, to relax our hand, to move from one octave to another. And unlike pianists, we are...

Today’s show is dedicated to you, the podcast listener. I have gathered some of the most interesting questions from our podcast inbox and I will be answering them in this episode. 

After all, advice is only good if it’s the advice you need when you need it. Obviously, a podcast isn’t the same as individual instruction, or having your harp teacher on speed dial, but it’s important to me to talk about the topics that matter to you, those things that will make a difference in your harp playing. That’s one of the reasons I like to give you an action step or two with each podcast. Taking action, doing something rather than just talking about it, is how progress happens. It’s how we grow. Just think; if we only talked about practicing and never actually did it, our harp playing would never improve. In fact, it would start to wither and die. 

If being a harpist - or harper if that’s more “you” - is part of who you are, then...

You and your harp are the perfect Valentine’s love story. You met your harp, fell in love and the rest is history. When I talk about harp happiness here on the podcast and elsewhere, I’m talking about that love connection you have with your harp - that magical feeling that you began with and about continuing that feeling, deepening it, nourishing it, helping it flourish. 

 Of course, sometimes harp happiness has its bad days, those days when the joy just isn’t there. Those moments of frustration are the bumpy part of a harpist’s journey, and today’s podcast is about one of the major bumps in the road for all of us harpists: playing chords. We want our chords to sound lush and lovely but sometimes they just come out like a disorganized cluster of random notes. 

There are so many ingredients to playing a lovely-sounding chord.You must place multiple fingers quickly and accurately on the strings and then play them either at exactly the same...

Does sight reading scare you? Do you wish you could instantly play any new piece you want to learn, even just enough to get the idea of how it sounds?

Being able to read music fluently and learn it quickly is a “someday” skill for many harpists. Fortunately, you can improve your sight reading with a few essential skills that you are probably already practicing. The dramatic and nearly instant results will amaze you!

Links to things I think you might be interested in that were mentioned in the podcast episode:

• Getaway Retreat
• 4 Easy Ideas to Take Your Music Reading from Fumbling to Fluent blog post
• Harpmastery.com

Get involved in the show! Send your questions for future podcast episodes to me at [email protected] 

Is your technique your biggest harp issue? 

Perhaps you know your technique is holding you back. Maybe you know you need to find the next level but aren’t sure how to get there. 

Today Anne reveals three ways to level up your technique and free your fingers to do your bidding. The good news? You might be doing the right things already. The better news? A faster, more accurate and secure technique is just a few simple tweaks away.

Links to things I think you might be interested in that were mentioned in the podcast episode: 

• Getaway Retreat
• Four “Smart” Finger Patterns You Must Know blog post
• Harpmastery.com

Get involved in the show! Send your questions for future podcast episodes to me at [email protected]

The most powerful musical expression isn’t created by magic. It’s written into each note. It’s up to the performer to discover it and bring it to life.

If you’ve ever questioned your expressive choices or felt uncomfortable making those choices, today’s show reveals how to discover the composer’s intention and interpret it with creativity and confidence. Plus I’ll show you where to look - and listen - for the hidden expressive clues in any piece.

Links to things I think you might be interested in that were mentioned in the podcast episode: 

• Join My Harp Mastery
• Blog post on Your 5 Day Plan to Better Musical Awareness
• Beyond Dynamics: 3 Keys to More Musical Harp Playing podcast
• Harpmastery.com

Get involved in the show! Send your questions for future podcast episodes to me at [email protected]