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My 2019 Designed: How I Put It All Together

performing practice Jan 07, 2019

Welcome to 2019! I love a new year. It feels like a beautifully wrapped present with your name on it, just waiting for you to open it. What might be inside??

If you’ve been following the last few blog posts, you’ve learned the steps to designing your 2019, to setting goals and creating a plan to achieve them. The process we have used is a little untraditional and whimsical, and I hope that you’ve had fun with it.

The lighthearted approach doesn’t dilute the power of the system, though. It’s just the spoonful of sugar that helps make the deep thinking a little more approachable.

I thought it might help you to see how I personally used that same system to set my Harp Mastery goals for 2019. I have several areas in which I set goals each year, and Harp Mastery is one of them. I also set personal goals, harp playing goals, spiritual goals and some others as well. I don’t always accomplish all of them, but I always end up having made progress in the...

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Design Your 2019: Finding the Pea

practicing technique Dec 31, 2018

In this third post in the “Design Your 2019” series, we discover the most important factor in achieving your goal.

The “Princess and the Pea” was always one of my favorite fairy tales. In this 1835 classic story, Hans Christian Andersen writes about the test that a prince’s mother devises to ascertain if a prospective bride for her son is truly of royal blood.

A young woman who appears at their castle door one dark and stormy night claims to be a princess but cannot prove it to the mother’s satisfaction. So the mother places a pea in her bed under 20 mattresses and 20 feather beds, believing that only a true princess would be sensitive enough to feel the irritation in the bed. When the princess awakes the next morning, exhausted from a sleepless, uncomfortable night, the mother concedes her royalty, and the price and princess live happily ever after.

The true test of the princess was not in how she looked or acted, but in her deep sensitivity, not...

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Design Your 2019: The Sorting Hat

practicing technique Dec 24, 2018

In last week’s blog post, Design Your 2019: Write Your Movie, you created your movie trailer, your description of your harp vision for yourself. You identified your happy ending as well as some of the obstacles you might encounter along the way.

Your next step is to look at what you will need to do and NOT do in order for your vision to become your reality. Most people would begin by setting out the steps they need to follow. Unfortunately, it’s easy to bog down in that process; there are so many steps that it’s hard to know where to start.

You probably won’t be surprised to know that I have a different approach for you to try. We will use the Sorting Hat.

If you know the Harry Potter books or movies, you’re familiar with the Sorting Hat. As each new student enters Hogwarts Academy, the Sorting Hat is placed on his or her head and the hat assigns them to one of the four houses: Gryffindor for the courageous, Hufflepuff for the humble and hard-working,...

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Design Your 2019: Write Your Movie

practicing technique Dec 17, 2018

You may not be familiar with Don LaFontaine’s name, but I guarantee you have heard his voice. His deep and resonant voice became synonymous with the words, “In a world where…” Yes, Don LaFontaine was the movie trailer voice, warning us of the perils that awaited our hero and his eventual triumph over them.

What if your harp story were a movie? What would be your happy ending? What difficulties would you encounter along your path and how would you surmount them?

Today I want to walk you through the first step in planning for 2019. I want to help you design your harp happiness, not just hope that you stumble across it. And we will do it together by writing your own “In a world where…” movie trailer.

Possibly you have tried to set goals before and failed. The way most people approach it, it’s a painful process. But it doesn’t have to be, and the process we will start today is not only painless; it’s even fun.

Before we...

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Not So Silent Night: Going Viral 200 Years Ago


In today’s world, fame is just one viral video away.

The internet stream of cute cats and adorable toddler antics is the modern megaphone for getting your new message out to the world.

The internet, and YouTube in particular, has transformed the music industry from one in which you had to know the right people to get any notice to one where all you need is your cell phone. As we become ever more accustomed to the instant worldwide audience that every musician has access today, we find ourselves wondering how music could possibly spread in a pre-high-tech era.

As it happens, this year we celebrate the anniversary of a piece of music that “went viral” 200 years ago. It was Christmas Eve of1818 when one of the world’s most beloved Christmas carols was written and performed for the first time.

That day the assistant priest of a small church in Oberndorf, Austria handed the church organist a poem he had written and asked the church’s organist to set it to...

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Stay Relaxed to Play Your Best

practicing technique Dec 03, 2018


It’s nearly impossible to play your best when you’re tense. And whether that tension comes from nerves, stress, holiday headaches or all three really doesn’t matter. Tension can ruin your health, your music and your mood.

Before the holidays reach their fever pitch, let’s look at some commonsense ways to ease the stress and create relaxation and – dare we say it? – beauty in your playing.

There’s nothing mystical here, no crystals or aromatherapy. Just a few simple ideas to help you add your musical touch to the holidays and enjoy it. Does that sound impossible? Fear not; read on.

Relax Your Body

The most important thing you can do for your playing is to have strong and supple support from your body, and that starts with your posture. Here are a few key elements of posture to keep in mind and check regularly:

  • Sit over your hips. Don’t lean forward or backward. When your weight is squarely on top of your hips, your abdominal muscles...
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Why Mastery is a Horrible Goal

 

Mastery is one of those hot-button words. It sounds good, but it comes with some pretty heavy baggage.

As we commonly use the word, mastery is the ultimate measure of accomplishment and proficiency. By that definition, mastery represents a standard upheld by a very few people and aspired to by everyone else.

Making that kind of mastery your musical goal will likely engender more frustration than progress. It makes it hard to persevere. Why keep trying so hard if you aren’t ever going to get there?

However, when we look at mastery as a process rather than a place, as a journey not a destination, it becomes a path to progress, to becoming a better harpist, a better musician. Mastery in this sense is less about “doing” well and more about “growing” well. When we make growth our goal, the relative level of mastery happens as a matter of course.

Don’t mistake this for a feel-good, easy path. While I believe that musical mastery is a journey,...

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Lose the Lucky Socks: 3 Strategies for Performance Nerves

Nearly everyone experiences some physical manifestation of performance nerves.

Whether it’s butterflies in the stomach, cold feet, sweaty palms, shaky hands or scattered thoughts, these symptoms can threaten to undo all our hours of hard work and preparation. Even worse, it’s often fear of the symptoms, not the anxiety about the performance itself, that causes the most damage.

This is why performers are always on the hunt for the silver bullet, the magic cure that will keep the nerves at bay. Ask around and you will find people who put their trust in meditation, deep breathing, medication, bananas and lucky socks. If any of these work for you, that’s fantastic.

But that’s not what this post is all about.

I would like to share three strategies for coping with nerves and anxiety that have more to do with management than with magic. You might not have heard many people talk about them, but they are powerful core strategies that will work even when your lucky...

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Why You Can’t Prevent Performance Crashes

musicianship performing Nov 12, 2018

Practice doesn't work.

Now that I have your attention, let me clarify.

The normal everyday practice that we usually do doesn't build the skills we need to play our music well. If you have ever practiced a piece and then had it crash when you performed it, you know this is true.

Consider this list of just some of the many distinctions between what we do in practice and what we need to do in performance.

In practice, we take time to warmup our fingers and our focus.
In performance, we start “cold.”

In practice, we go back and fix our mistakes.
In performance, we must play on.

In practice, we choose what we want to play and when.
In performance, we play on demand.

In practice, we are in our comfy practice space.
In performance, we are in an unaccustomed place.

In practice, we achieve calm and focus.
In performance, we feel the rush of adrenalin.

In practice, we are discriminating about our playing.
In performance, we become hyper-critical and judgmental.

In practice, we delve...

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Break Through: What to When Your Technique Is Holding You Back

Is your technique keeping you from playing the music you love?

No matter what your playing level is or how many years you’ve been playing, your technique may be holding you back.

Your technique is the foundation for everything that you play. It is the essence of your tone, speed, fluency and musicality. If your technique isn’t ready to handle that piece of music on your music stand, you can practice the notes until your fingers fall off and still not be able to play the music the way you want.

I expect that you know that already. You probably practice your scales and arpeggios, perhaps even exercises and etudes, regularly as part of your practice. At least, I hope you do. But you may have discovered that you still aren’t moving your technique to the level you want.

Are You Ready?

Not sure if you need a technique break through? See if any of these statements sound familiar.

  1. You can get your pieces to ¾ tempo but not up to speed, even though the piece...
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