Practicing Harp Happiness

Fundamentals, exercises and etudes are the three pillars of harp technique, or any instrumental technique for that matter. I’m sure this is not news to you, but the reminder never hurts.

Fundamentals like scales, arpeggios and chords form the basis of our technique because they are the patterns most prevalent in the music we play. Exercises help our fingers become familiar with the characteristic patterns that aren’t as straightforward as the fundamentals. Etudes help us put the technical skills from our exercises and fundamentals into a more musical context, a sort of test drive for our technique. Together, they help us develop facility, agility and musical understanding. Pretty powerful stuff.

I know - you knew that already. But like me and most of the harpists I know, you may have trouble fitting all three of those into your practice time. Most of us have limited practice time anyway, and it would be easy to let our technical work crowd out everything else. This is...

I attended one professional boxing match in my life. The reason I went was that a former harp student of mine was making her professional boxing debut. As you might imagine, I felt a little out of my element in the boxing club, which was actually one of the legendary boxing clubs in Philadelphia, but I had never been there before. And I’ve never been there since. What surprised me most was that I could actually relate to the experience a little, not because of my martial arts training, but because of my music training.

There was a nervous tension in the air that was not unlike the anticipation before a performance. I felt the same sense of the importance of the moment, the fact that each competitor needed to bring his or her best effort right at that moment; there was no second chance. Of course, we musicians are fighting a less visible opponent. And we aren’t likely to walk away with a bloody lip or a broken nose.

I also found the strategy of the boxers interesting to...

It’s a wonderful life.

I love watching that movie at the holidays or really at any time of year. But the movie is not what I’m talking about. 

I mean simply that this is the time I like to pause and be grateful for this wonderful life and all the amazing people I am privileged to share it with. And that includes you, my friend.

So on this very brief podcast, the last one of 2022, I would like to share my reflections with you, my thoughts on what made 2022 special for me, professionally and personally. Perhaps this will inspire you to do some similar reflecting. Perhaps this was a banner year for you, or maybe it was a challenging one. Either way I would encourage you to find at least one thing to celebrate. 

Before I start, though, I want to thank you for the great gift you have given me this year. I know how many demands there are for your time and attention and I am very grateful and very honored that you share some of your time with me. I love hearing that...

If you’ve ever marveled at the healing power of music, then this podcast episode will blow your mind.

This week I will share with you a conversation with a special guest, harpist Barbara Lepke-Sims. Barbara is a Juilliard trained harpist and an expert teacher and performer, and one of the main facets of her playing is as a music practitioner. She doesn’t just call herself a music practitioner; she is certified through the Music for Healing and Transition program and has more than a decade of experience bringing healing and peace to those who suffer.

I met Barbara when I became a board member of the American Harp society, where she has been very active, but we really connected when we met up at the World Harp Congress in Wales this summer. I was curious about how she became a music practitioner, why she chose the certification program she did and what really motivates her about this important work.  

I was really picking her brain because this is a field where...

 Do you remember that famous Apple computer advertising campaign, the one that urged us all to “think different?”

That ad campaign was created just after Steve Jobs had returned to the Apple company and Apple needed a new start. The year was 1997 and Apple was on the rocks. Their stock was trading at a 12-year low, and the company that had been known for its creativity and innovation was stagnant and dying. So when Steve Jobs returned to Apple after having left in the mid-1980s, customers, if not Apple’s board of directors, were expecting something new and exciting. And they got it, with interest. During Jobs' tenure after his return, Apple launched the iMac, iBook, iPod, Mac OS X, iPhone, iPad, and more. 

You may have forgotten that shaky period in Apple’s history, but I bet the ad campaign is still fresh in your mind.

There were two television advertisements that were shown most often. There was a one-minute version that featured ...

It is a true joy to watch a fine musician play their instrument, whether it's a harp or another instrument. There is a physical flow, a sense that no motion is wasted. You can practically see the mastery they bring to their music. 

I would go even further to say that all their physical resources are being used to serve the music. There is an efficiency in their gestures, a grace and a strength that is as visually compelling as their music is. After all, we see a performance as much as we hear it. 

If you doubt the truth of that statement, just think about a performance you watched where the performer had distracting facial expressions or gestures. Maybe you were able to ignore them and continue listening, but the music’s spell was likely broken for you. What you saw became more important than what you heard. 

This is one reason that orchestras have a uniform dress code, usually formal wear for the men and long black clothing for the women. Most professional...

“How long should it take to learn a piece?” 

I am asked that question so many times and every time my heart sinks. Why? First of all, there’s that word “should.” There are no “shoulds” in the learning process. The word “should” leads to the idea that there is one standard against which we could judge our efforts and which we could use to plan our music learning. An objective standard, such as “this piece will take any harpist three months to learn,” is absolutely impossible. So the word “should” isn’t helpful.

But even if we reframe the question in very specific terms - “how long will it take me to learn this piece?” - we still run into difficulties trying to come up with an answer. 

Each harpist is unique, bringing a unique set of skills and experiences to their music. Each piece has challenges that are specific to that piece which may test an individual harpist’s...

This Thursday we will celebrate Thanksgiving here in the U.S. and it’s a big deal for us. According to a recent survey Thanksgiving edges out all other holidays, including Christmas, ranking as our most popular holiday. It’s really about three things: food, family and football. Oh right. It’s about being thankful too.

We try to be more intentional about keeping an “attitude of gratitude” at this time of year, but it isn’t easy. Thanksgiving also is the official kick off for the holiday shopping season, so the thankfulness is often tinged with a touch of frenzy as the Black Friday sales begin.

I’m sure you’re receiving plenty of reminders to be thankful this Thanksgiving but I wanted to add a special harp-themed reminder. 

My idea actually grew out of the Play It With Confidence Intensive from just a few weeks ago. We spent a lot of time in that course talking about mindset and choosing what matters to us in our playing. For me...

I am fascinated with 3D printers. I don’t have one and I don’t see that I will ever need to have one, although we would have said the same about a smartphone just a few years ago. The idea, though, that a computer file, which seems less than tangible to begin with, can be turned into a solid three-dimensional object fascinates me, And 3D printing is used virtually everywhere: to produce eyeglasses and furniture, scale models, medical devices, reconstruction of ancient artifacts, and the list goes on.

The process is also interesting. It requires special software to read the design file and slice it into hundreds or thousands of cross-sections of the end product which are then created one by one until the end product is complete. 

What I find so intriguing is that the process is an additive process where the slices are added together to create the object. Consider how this is the reverse of more traditional processes where material is taken away, or subtracted, from...

How are you supposed to reach that left hand chord?

You know the one I mean. It goes by a lot of different names, a root-position triad in open spacing, a 1-5-3 chord, or maybe just the chord you can’t ever place accurately. Certainly when we first encounter the chord, it’s a stretch for our hands, but eventually most of us can manage it without too much difficulty.

When we place and play the chord well, it sounds warm and rich. Because it’s a big reach, though, it’s often a challenge to get to the right notes at the right time and play them without hitting neighboring strings. 

And that’s a problem because this combination of notes is everywhere in harp music. We encounter it sometimes as a chord, sometimes as an arpeggio. In fact, I often call this the “left hand master chord,” because it is the one chord that, when we master it, solves playing difficulties in so many pieces. We don’t want to have to spend our practice time...