Practicing Harp Happiness:
Technique and Musicianship Collection
Sharpen the practical skills you need to be a better harpist and musician.
Episode #202: Rhythmic Confidence: It’s Not About the Math
If I had the opportunity to teach music to an absolute music newbie, someone without any previous musical instruction or experience, I know exactly how I would begin. I would start without printed music.
Listen Now
Episode #199: Making Music Sing: A Phrasing Primer for Harpists
I’ve been playing concerts with my flutist friend Joan Sparks for more decades than I care to admit. Our work together has included concerts, being Artists in Residence at schools and retirement communities, producing our own concert series, recording multiple CDs (actually even a couple of cassette tape recordings back in the day) and commissioning some significant works for the flute and harp concert repertoire
Listen Now
Episode #198: Etudes: What You Never Knew They Could Do For You
Fact number one: harp technique is hard. That’s a given. Making our fingers steady, stable and strong enough to play in mid-air, defying gravity with every pluck, is very challenging. That’s a fact.
Listen Now
Episode #195: Working From Both Sides: Arpeggio Skills in Context
When I was a kid, even before I had started harp lessons, I used to go to summer camp in the mountains. I grew up in the Philadelphia area, and the closest mountains to us were the Pocono Mountains. These aren’t mountains by Rocky Mountain standards, not nearly as high, peaked or impressive, but they are beautifully wooded and green, with rivers and lakes.
Listen Now
Episode #191: The Technique Triangle: Fingers, Flow and Faith
What do fingers, flow and faith have to do with each other? Absolutely everything. The three things are totally interdependent. You can think of them as three corners of a triangle, each corner being connected to each of the other corners. And, just like the legs of a three-legged stool, all three support your playing.
Listen Now
Episode #186: Simplicity and Stillness: How to Create Calm in Your Harp Playing
One of the things I love about watching virtuoso artists perform is how easy they make it look. For instance, just this past summer I attended a reunion of many of us who attended the Salzedo Summer Harp Colony in Camden, Maine.
Listen Now
Episode #181: The Fourth Thing You Need to Know About Rolling Chords
When you think of harp music, is there a characteristic harp sound that comes to mind, a musical gesture that belongs to the harp more than to any other instrument? A glissando, maybe? That’s certainly one of them, and a favorite of mine. Another one that I find very powerful and very harp-y is a rolled chord.
Listen Now
Episode #179: Why Harpist Beginners Need Bach Too
A little while back, I did a podcast episode about the music of Johann Sebastian Bach, and why I believe studying and playing that music is so important for harpists. If you want to go back and listen to that episode, it is Episode 154, and I will put a link to that episode in the show notes.
Listen Now
Episode #178: Gentle Strengthening for a Weak Finger
There are plenty of things we can muscle through: fatigue, a headache, the last email, the last pot to wash, paying the bills. But we can’t muscle through harp playing, especially when it comes to our fingers.Â
Listen Now
Episode #177: No Sense of Rhythm? The 3 Step Cure
Do you have no sense of rhythm? Has someone told you that you have no sense of rhythm? Or do you sometimes wonder if you do? Right off the bat, let me tell you that if someone said that to you, I know they are dead wrong.
Listen Now
Episode #175: Make Your Warm-up the Prelude to Your Practice
If I had to give the shortest possible explanation of what a daily harp warm-up is, it would be this: your warm-up is the prelude to your practice. Why a prelude? A prelude is most often defined as a short piece of music intended to be an introduction to a longer one.
Listen Now
Episode #171: A Recipe for Creativity: How to Arrange Anything
Do you think of yourself as creative? From time to time, a harpist will tell me that she doesn’t feel she is very creative, at least not in a musical way. I instinctively challenge this, because I believe that anyone who persists in studying the harp for more than a few months is nurturing a gift and a desire that is, at its essence, creative.
Listen Now
Episode #169: Winning the War of the Rhythms: How to Master 2 Against 3
Juggling. Patting your head and rubbing your tummy. Walking and chewing gum. Coordination challenges come in all levels of difficulty. Playing hands together is another one, but it’s one that we harpists eventually get comfortable with. Your right hand does one thing and your left hand does another. For the most part, everything works out, until we encounter polyrhythm, that is.
Listen Now
Episode #166: Music in Motion: The Art of the Graceful Gesture
Many harpists can remember the first time they saw someone play the harp. The harp itself looked magnificent: tall, majestic, maybe gold. The harpist might have looked magnificent too, maybe a lovely lady in a flowing gown. The harp and the harpist together made an impressive picture.
Listen Now
Episode #165: 5 Techniques for Your Left Hand
I was googling around the internet the other day when I ran into an article that began with this question: “I have completely different fingerprint patterns on both hands. On my right, each finger has a very distinct and similar loop pattern. But on my left hand each finger has a distinct whorl pattern. Why does this happen?”
Listen Now
Episode #160: The Other Side of Harp Playing: How to Develop Your Musicianship
Maybe you’ve noticed or maybe you haven’t, but these podcasts are organized into three different categories. One category is “Practice and Performing” and another is “Music and Meaning.” The third category is “Technique and Musicianship.” Technique is one of those self-explanatory items, but musicianship probably needs a little more description.
Listen Now
Episode #158: Memorization Basics: How to Make It Stick
In a world of sticky notes, Gorilla Glue and tape that can hold a leaky boat together, why can’t we make a piece of music stick in our fingers. Does this sound familiar? We sit down at the harp on Monday with fresh spirit and energy and we dig into the music we want to learn. Tuesday we repeat the process, feeling very virtuous. On Wednesday, we are a little disappointed that we don’t see any progress from our practice.Â
Listen Now
Episode #157: 10 Tips for Terrific Thumbs
I was going through some old music the other day and came across a notation that made me smile. It was written in my best elementary school cursive script and read, “Thumbelina’s having trouble with her thumb.” I don’t even remember what piece of music it was on, but it could have been on just about any one.
Listen Now
Episode #155: Shaped, Stable, Supple: A New Approach to Technique
Have you ever had one of those moments when you wonder if you’ve been doing it all wrong? It might be something you have taken for granted, a habit maybe, or a process, something you thought was the perfect system. You always have done it that way, but suddenly you have a moment of doubt.
Listen Now
Episode #153: Tempo Is Not a Number: Finding the Right One for You and Your Piece
Today’s podcast is all about tempo, and I have to start by saying that tempo is a funny thing. We define it with numbers or with the familiar Italian words, or less familiar French or German ones, and it still seems elusive.
Listen Now
Episode #151: How Your Three-Finger Technique May Be Hurting You…Literally
It’s high time I got up on my soapbox. It’s not often I do a rant on the podcast, but there’s an issue that has me so fired up that I had to talk about it with you.
Listen Now
Episode #146: Can You Count This? Where Simple Meets Compound
See if you can guess the answer to this. What can sometimes feel gently rocking like a boat on a lake on a calm summer’s day, and other times puts a lively spring into your step? It isn’t hard, but it’s never simple.Â
Listen Now
Episode #145: Playalong Episode: Rediscovering Your Sound
I am always interested to hear what first attracted harpists to the harp. It’s fascinating to learn the many ways that the harp can draw a potential student. My own story is that I heard the harp on the radio and told my parents that was what I wanted to do.Â
Listen Now
Episode #144: Beyond the Basics: How to Keep Your Technique Growing
Let’s take this as a given: our technique is at the heart of everything we do at the harp. Intellectually, we know this to be true, but that doesn’t prevent us from being surprised when we run into a passage in a piece we’re learning that our fingers just can’t manage. What the heck?Â
Listen Now
Episode #142: Rubato: Secret Sauce for Your Musical Expression
Every restaurant chain, every chef has their “secret sauce.” It’s that unique ingredient that makes their food taste special every time. It's part of their culinary signature. There is a secret - or maybe not so secret - sauce in musical expression too. It’s rubato.Â
Listen Now
Episode #140: Agile Arpeggios: How to Make Yours Ripple
If I had to choose one finger pattern that I could count on to almost always show up in a piece, it would be an arpeggio. Arpeggios and the harp go together like peanut butter and jelly. In fact, the Italian word for harp is arpa, which has the same first three letters as arpeggio. That’s because the word arpeggio comes from the Italian word arpeggiare, which means to play on a harp. See what I mean? Peanut butter and jelly.
Listen Now
Episode #131: 5 Quick Technique Routines to Put In Place Now
Tell me if this sounds familiar. You suddenly realize that everything is quiet and you have 20 minutes all to yourself. Sure, you could sit down with a book and a cup of tea. Or you could spend that 20 minutes practicing. You decide your harp is calling you, so you sit on the bench and look at the music on your stand. But where do you start?
Listen Now
Episode #128: Etudify Your Pieces with the Technique Stacker
If you attended my “Cut to the Chase" webinar a couple of weeks ago, you’ll remember that we were talking about some harp hacks, shortcut “outside the box” solutions for common harp problems. We’re going to talk about another one today.Â
Listen Now
Episode #125: 8 Tips for Perfect Lever Or Pedal Pushing
I’m a pusher, and I hope you are one too, a lever or pedal pusher, that is. Just imagine a world of harps without levers or pedals. Certainly, there are folk harps that don’t have levers and still play beautiful music. But to me, that’s a little like living in the forest. There is endless beauty in the forest, but I like the seashore and the prairies too. The world of music has so much harmonic richness and I really love having my pedal harp to explore it all.
Listen Now
Episode #122: Finger Fumbles: Is the Problem with Your Technique or Your Reading?
How can you correct a problem – any problem from a water leak to paper jam in the printer – if you don’t know where the problem really is? Harp playing is no different. Our practice is supposed to help us fix mistakes and even prevent them from recurring, at least to a degree. But if we don’t know where the underlying issue is, it’s nearly impossible to find a fix for it.
Listen Now
#120: Make Your Warm Up a Triple
Let’s talk warm-ups. You likely have a favorite way to warm up at the beginning of a practice session. It might be short and sweet, like an arpeggio and a scale. It might be a fairly thorough routine that allows you to check everything from your posture to your focus. Or possibly it’s just a passage from a piece that you’re learning.
Listen Now
Episode #118: Play Tension Free: How to Calm Your Body, Mind and Music
Wouldn’t it feel great to relax? Of course, since this is the Practicing Harp Happiness podcast, I’m not just talking about a cool drink, a good book and a bubble bath. I’m talking about being relaxed when you play the harp.
Listen Now
Episode #117: Count, Click and Canon: a Rhythm Masterclass
While there are many notable quotes from Johann Sebastian Bach, one of my favorites is this one: “There's nothing remarkable about it. All one has to do is hit the right keys at the right time and the instrument plays itself.” Okay, the man was a musical genius, but obviously he also had a remarkable talent for understatement.
Listen Now
Episode #113: Three Easy Ways To Get Your Hands Playing Together
There are markers along the road in every harpist’s development, signposts that indicate you’re making progress. These are like those highway signs that tell you how many miles you are from the next town or city, like “New York City - 90 miles.”Â
Listen Now
Episode #111: The Ultimate Time Machine: Harness The Power Of Your Metronome
Okay, here’s my question for you today. What would be the scariest words you could hear in your lesson? I can think of lots of possibilities but I’m guessing that one of those phrases that comes to your mind might be, “I think we need to get out the metronome.”
Listen Now
Episode #108: Quick Fix: Buzz No More
Legendary harpist and composer Carlos Salzedo had this to say about buzzing: “It is important that there be no buzzing when replacing. Buzzing comes from lack of precision in replacing, and will be eliminated if the player replaces very accurately.” That quote comes from the Method for the Harp book that he wrote with Lucile Lawrence, his former student and at the time that method book was written, his wife.
Listen Now
Episode #101: Quick Fix Episode: Teaching Your Fingers To Play When You’re Not Looking
What would you do if you were playing the harp in a concert and the lights went out?
Listen NowEpisode #097: Why You Need To Count Aloud (Even If You Hate It)
Music is not a numbers game. You can’t quantify a moving performance or a composition with statistics like a batting average. You can’t predict how many minutes, hours, weeks or months it will take to be able to play a certain piece fluently. A player's skill isn’t solely a result of how old they are or how many years they’ve been playing. Those kinds of numbers aren’t relevant in the music world.
Listen Now
Episode #096: Overcoming Left Hand Lag: Reading Ahead With Both Hands
Playing hands together is a topic of constant concern and endless discussion for harpists. When should you start playing hands together? Should you learn a piece hands separately first? How do you begin putting the hands together? And the most frequently asked question: why isn’t hands together working for me? As much as we debate the other questions, this last one is the hardest of all to answer.
Listen Now
Episode #095: Freedom to Fly: Four Keys to Finger Facility
We all know that making music is more than playing the right notes at the right time. It’s about the heart and soul of the music, the feeling we put into it and the feeling that we communicate through it. Unfortunately, no matter how much feeling we put into the music, the actual communication of that feeling relies on our technique. It’s one of those apparent paradoxes in music study.
Listen Now
Episode #094: 7 Skills That Mark Your Growth
If you’re into computer games, you know it’s all about getting to the next level. Even if you’re not into computer games, you probably know what I mean. Many computer games are built in levels and moving to the next higher level requires the player to complete certain tasks or amass a specific number of treasures or experience points.
Listen Now
Episode #092: Quick Fix: Roll Your Chords Right
Welcome to a “quick fix” episode of the podcast. I love these episodes because I get to teach at the harp, which is just about my favorite thing. Actually, playing music on the harp would be my favorite, but this runs a pretty close second. Today’s quick fix is for rolled chords.
Listen Now
Episode #089: Masterclass: The Tempo Pyramid
Today’s episode is another in our series of masterclasses, our podcast at-the-harp workshops where you can follow along with me as we do a deep dive into a vital aspect of technique or musicianship. In this masterclass, we’ll be working on my tempo pyramid.
Listen Now
Episode #086: The Wrong Way to Practice Etudes - and 3 Right Ways
Fundamentals, exercises and etudes are the three pillars of harp technique, or any instrumental technique for that matter. I’m sure this is not news to you, but the reminder never hurts.
Listen Now
Episode #081: Peaceful Hands: How to Look More Graceful and Feel More Relaxed
It is a true joy to watch a fine musician play their instrument, whether its a harp or another instrument. There is a physical flow, a sense that no motion is wasted. You can practically see the mastery they bring to their music.
Listen Now
Episode #077: How to Reach that Unreachable Left Hand Chord
How are you supposed to reach that left hand chord? You know the one I mean. It goes by a lot of different names, a root-position triad in open spacing, a 1-5-3 chord, or maybe just the chord you can’t ever place accurately. Certainly when we first encounter the chord, it’s a stretch for our hands, but eventually most of us can manage it without too much difficulty.
Listen Now
Episode #074: Everyday Etudes: The Right Way to Use What You’re Already Practicing
Quick question: hands in the air if you’ve ever decided to skip your technique drills and etudes because you are doing that work already on a challenging passage in one of your pieces. Yes, I thought so. Everybody’s hand is up, including mine. So we all do it, skip our technique work because we’re short on time and we can get the same benefits by doing double duty practice - working on technique with one of those sticky spots that we need to drill anyway.
Listen Now
Episode #073: Tuning Masterclass: Learning to Listen
If I had to choose one tool that made a harpist’s life easier, I know exactly which one I would choose - the electronic tuner. I belong to the last generation of harpists that grew up in a world without them, so I know what I’m talking about. Having a device that allowed you to tune in a noisy environment and be confident that your harp is really in tune was new technology when I was a student, and it was a game changer.
Listen Now
Episode #071: Quick Fix Episode: Fumble Free Fourth Finger
I can almost always tell the skill level of a harp student by the way they use their fourth finger. It’s not the strength of the finger or a lack of coordination. A less advanced player simply avoids using it. It shouldn’t surprise you if you give it a moment’s thought. Remember back to the very first pieces you learned on the harp, at whatever age you were when you started. They used mostly the thumb and second finger.
Listen Now
Episode #067: 7 Ingredients of a Glorious Glissando
Here’s a riddle for you: What can go up or down but never side to side, can be like a gale-force wind or a whisper of a breeze, and is easy to do when you don’t know how and much harder when you do? I’ll bet you got it in one guess - it’s a glissando. In case you didn’t get it, here’s why a glissando is the right answer.
Listen Now
Episode #066: Hands in the Air: Raising and the Art of Letting Go
Form follows function. I expect you’re familiar with that quote but you may not know the entire context. The phrase is a vast simplification of an idea put forth by architect Louis Sullivan, mentor to Frank Lloyd Wright, in his 1896 article titled “The Tall Office Building Artistically Considered.” Working from an idea of the ancient Roman architect Vitruvius that a building should be solid, useful and beautiful, Sullivan developed his overriding philosophy, what he called the single "rule that shall permit of no exception."
Listen Now
Episode #064: Spice Up Your Scales for Technique, Flexibility and Speed
Scales are so simple on the harp. Unlike on other instruments all our scales have the same fingering. I remember being a young piano student and struggling with the fingering patterns that seemed different for each major and minor key. Those black and white keys caused a lot of fingering complications. But on the harp, all our scales are fingered exactly alike. All the changes are in our levers or pedals, not our fingers. It couldn't get any easier.
Listen Now
#059: Confused About Markings? 10 Common Harp Markings Explained!
If the fairy godmother of harp appeared today to grant you just one wish, what would it be? Would you wish for a new harp, flying fingers, an endless supply of music? I know what I would wish for: standardized harp markings.
Listen Now
Episode #058: Quick Fix Episode: Fixing 3 Common Thumb Issues
Today's episode is a brand-new podcast feature, a “Quick Fix'' episode. These are special episodes designed to take your harp learning out of the realm of the theoretical and get totally practical. It’s obviously not enough just to know why something is important, although that’s a great place to start. Sooner or later you have to actually do whatever it is, and for that you need to know how.
Listen Now
Episode #053: How to Add Color and Variety to Your Sound
My harp teacher could make any harp sound amazing. I was astounded every time I heard her do it. On the occasions when she came to my house and played my harp, her magical touch on my very ordinary harp brought it to life in a way my practice never did. And it was MY harp! My teacher was Marilyn Costello. She studied with Carlos Salzedo at the Curtis Institute of Music and had a lifetime career as principal harpist with the Philadelphia Orchestra. And she had the warmest, richest, most liquid tone I have ever heard.
Listen Now
Episode #052: Need a Fix? Try My Favorite Exercises!
There will never be a shortage of exercise books. As long as there are harpists, they will want to develop a more facile technique to make their playing easier, faster, more fluid and more musical. Scales and arpeggios will always be staples of our technical work but obviously, there is so much more that goes into harp technique. And with the plethora of choices of exercise, etude and method books, where does a harpist start?
Listen Now
Episode #050: Metronome Methods For The Unconvinced
Tick, tick, tick, tick…the constant click of a metronome could conceivably drive a person crazy. I am now - although I wasn’t always - a metronome fan. Though this may sound crazy to some of you, the metronome is my favorite practice tool because it helps me fix errors, create flow and it gives me time to play a piece or a tricky passage correctly.
Listen Now
Episode #049: It’s All in the Wrist: The Crucial Link
Do you suffer from uneven scales, particularly when you cross under or over? Do your fingers sometimes fumble to find the strings? Is your tone warm and lovely some of the time and other times thin or weak? Have the drills you’ve tried made no real difference? Here’s the miracle solution to all these problems… and more!
Listen Now
Episode #047: Left Hand Literacy: Skills Your Left Hand Is Missing
Does your left hand struggle to keep up? Your right hand seems to have its act together, but your left hand always takes longer to feel comfortable with the notes, no matter what piece you’re learning. Are you thinking that I have a hidden camera in your practice room? Not at all; it’s simply that I have had my own left hand issues too.
Listen Now
Episode #044: Five Fingering Rules You Need to Break
Ask a group of harpists what the hardest part of playing the harp is and you’ll get a lot of different answers: the technique, playing hands together, reading the notes, playing chords, putting on a new string, or maybe even moving the harp. Every harpist has his or her own bugaboo, a particular challenge in their playing. But we all agree that one of the trickiest parts of playing the harp is the fingering.
Listen Now
Episode #041: Your Questions Answered: Questions From The Podcast Email
Today’s show is dedicated to you, the podcast listener. I have gathered some of the most interesting questions from our podcast inbox and I will be answering them in this episode. After all, advice is only good if it’s the advice you need when you need it. Obviously, a podcast isn’t the same as individual instruction, or having your harp teacher on speed dial, but it’s important to me to talk about the topics that matter to you, those things that will make a difference in your harp playing.
Listen Now
Episode #039: Love Your Chords! 3 Ways To Make Them Lush and Lovely
You and your harp are the perfect Valentine’s love story. You met your harp, fell in love and the rest is history. When I talk about harp happiness here on the podcast and elsewhere, I’m talking about that love connection you have with your harp - that magical feeling that you began with and about continuing that feeling, deepening it, nourishing it, helping it flourish.
Listen Now
Episode #036: Sight Reading Should Be Easy: 4 Simple Strategies
Does sight reading scare you? Do you wish you could instantly play any new piece you want to learn, even just enough to get the idea of how it sounds? Being able to read music fluently and learn it quickly is a “someday” skill for many harpists. Fortunately, you can improve your sight reading with a few essential skills that you are probably already practicing. The dramatic and nearly instant results will amaze you!
Listen Now
Episode #034: Tweaking Your Technique: 3 Ways to Level Up
Is your technique your biggest harp issue?
Perhaps you know your technique is holding you back. Maybe you know you need to find the next level but aren’t sure how to get there.
Today Anne reveals three ways to level up your technique and free your fingers to do your bidding. The good news? You might be doing the right things already. The better news? A faster, more accurate and secure technique is just a few simple tweaks away.
Episode #028: Expression from the Ground Up: Form and Flow
The most powerful musical expression isn’t created by magic. It’s written into each note. It’s up to the performer to discover it and bring it to life. If you’ve ever questioned your expressive choices or felt uncomfortable making those choices, today’s show reveals how to discover the composer’s intention and interpret it with creativity and confidence. Plus I’ll show you where to look - and listen - for the hidden expressive clues in any piece.
Listen Now
Episode #024: Glorious Glissandi: Your Essential Practice Guide
Without question, the glissando is the signature harp sound. It’s likely the very first thing you ever tried when you first touched a harp. It’s equally likely that at this point in your harp journey you have questions about how to make them sound glorious. On today’s show I will share the expressive secrets to a sweeping glissando plus the technical specifics. Whether your favorite term is glissando, sdrucciolando or flux, you can make it magical.
Listen Now
Episode #021: Music For The Ears: Are We Too Visual?
I used to listen. For instance, when I first started playing the harp there were no electronic tuners; I had to learn to tune by ear. I am convinced we harpists have lost some essential listening skills. What role does listening play in your daily practice? I believe listening is too often the last resort. On today’s show I suggest some practical strategies for making focused listening and informed musicianship part of your harp playing every day.
Listen Now
Episode #020: Finger Agility For The Accident Prone: Your Guide To More Facile Fingers
Do you think you’re too old or too uncoordinated to have agile fingers? Think again. Agile fingers aren’t just for the young or the gifted and they don’t happen by magic. Developing finger facility is key to faster learning and more stumble-free playing. Listen and discover the three things you need to stop doing and the three you need to start doing now to teach your fingers to play with more speed and security at any age.
Listen Now
Episode #017: Goal Setting For Harpists 2: Choose Goals You Can Meet
The first step in achieving a harp goal is believing you can achieve it. On this show I interview Houston harpist and Harp Mastery® Certified Coach Caitlin Mehrtens. Caitlin is expert at helping her students succeed and she shares her advice on how to choose the right goals for you, as well as the two most powerful factors for success.
Listen Now
Episode #016: Goal Setting For Harpists 1: The Four Levels of Goals
Do you resist setting goals for your harp playing? Maybe setting goals feels like it will stifle your creativity or take the fun out of your harp playing. Maybe you think goals are only for “serious” harpists. This show reveals why goals are crucial for every harpist who wants to improve.
Listen Now
Episode #014: Taming the Terrible Thumb: 3 Secretes to a Musical Thumb
Is your thumb timid or a tyrant?
We harpists rely on our thumbs - just try playing a scale without them. They are our longest fingers and undoubtedly our strongest. They double our reach on the harp strings. But how musical are your thumbs? In this episode, I will show you how your thumbs can be expressive with a supple, fluid sound that can make a melody sing or blend in beautifully with your other fingers, and how to fix common thumb problems.
Episode #013: Master Your Metronome: Do's and Don'ts for Metronome Haters
Which would you choose: practicing with the metronome or sitting through your kid's favorite cartoon AGAIN?
If the metronome feels like torture, this show will save you from going click crazy. The metronome isn't just for playing fast; it's for creating time to be correct and musical too. You'll learn the proper (and nearly painless) ways to use the metronome - not as a paperweight- and save tons of practice time too! You can play along with me too!
Episode #010: Beyond Dynamics: 3 Keys to More Musical Harp Playing
Musicality is so much more than dynamics. It is truly our own self-expression, our individuality revealed through our music. In our role as interpreters of music written by others, we often limit ourselves to following the indications the composer has written on the page. But with so many more tools and options for bringing creativity to our music, why should we stop at dynamics?
Listen Now
Episode #009: Fingers on the Strings: Pointers for Placing
Placing is the first thing we learn when we start playing the harp. After our first glissando, after we find middle C, our first discovery is that we must suspend our hands in mid-air and that placing is how we stay physically connected to our instrument. But placing brings its own set of challenges.
Listen Now
Episode #006: Minor Keys: A Scale of a Different Color
Have you ever thought of your music as having colors? Or thought about a color difference between major and minor?Maybe to you a minor key is just another key. But to me a minor key is so much more. As a musician, I first learned to listen critically with minor keys. As a teacher, I have seen that minor keys (much more so than major keys) open the door to understanding music theory.
Listen Now
Episode #004: What Does a Shaky Technique Really Cost You?
Fast flashy scales and graceful arpeggios are one sign of a strong harp technique, but they aren’t the only indication. In fact, even if you never expect to play fast music or super-difficult music, you need a strong technique.
Listen Now