Blog 2019 Fall Retreat Member Login Login

sheet music Oct 06, 2014

Away in a Manger

Two Famous Tunes

Arranged for lever or pedal harp by Anne Sullivan

Like many Christmas carols, the text to “Away in a Manger” has been set to music by multiple composers. These two famous tunes are often identified as “the English one” and “the German one,” but interestingly both were written by American composers.

William Kirkpatrick, a Pennsylvania native, was trained in Philadelphia and worked at various times as a composer, carpenter, military Fife-Major, and church organist. His tune “Cradle Song” was written in 1895 for a musical production called “Around the World with Christmas.” This is the “English” tune for “Away in a Manger,” commonly identified in hymnals as the tune “Kirkpatrick.”

The “German” tune for “Away in a Manger” was said to be an original melody by Martin Luther. In recent years, this has been viewed as a 19thcentury...

Continue Reading...

Are You “Built” for Your Instrument?

music miscellany Sep 29, 2014

Here’s a challenge Sherlock Holmes would enjoy:

Take the members of a professional orchestra. Put them in civilian clothes, no tails or black gowns. Line them up. Now try to guess which instrument each plays. There are the telltale calluses, marks, fingernails, etc., that you could use to identify the masters of particular instruments. But aside from those features, the stereotypical images may steer you wrong.

Not all trombone players are barrel-chested men, nor are all flutists dainty, well-manicured ladies. The truth is, all different physical types of people play each instrument.                                                                            

We tend to think that masters of a specialized skill, like world-class musicians, are “built” for their instruments....

Continue Reading...

Left Hand Master Technique

practicing technique Sep 21, 2014

If your left hand slows you down when the chords show up, then this video is for you. Work through these patterns and watch the transformation in your sightreading and music learning. And it will help your improvisation too!

And you can receive your own copy of a PDF of the exercises I demonstrate here by subscribing to Harpmastery. Just click the link below!

Click Here for the Left Hand Master Exercise PDF

Continue Reading...

Maybe Your Music ISN’T Romantic

         Franz Liszt, 1858

When is music big-R “Romantic” and when is it only little-r “romantic?”

Much harp music sounds “romantic” in the little-r sense of the word: beautiful, lush, expressive. But in musical academia, big-R “Romantic music” is something more. And since we play so much music that is little-r and big-R romantic, the topic seems worthy of a little discussion.

First, it helps to understand the what, when and who of the Romantic era: the composers, time frame and characteristics that represented a new outlook on musical expression. Then we will look at how you can make the most of the Romantic music you play.

The Romantic era in music covers most of the nineteenth century and the early years of the the twentieth, roughly 1815 – 1910. Beethoven is often recognized as the first Romantic composer, but there are dozens more whose names are familiar to you: Tchaikovsky, Chopin, Schubert,...

Continue Reading...

Clearing Up the Technique Mystique

What is your technique? Which method do you play? Which of those potentially conflicting factions do you belong to?

Like other musicians, we harpists certainly have many choices. There is French method and Russian method, Salzedo, Grandjany and more, plus equally specific folk harp methods. Do you even know which one you use? Or – horror of horrors – don’t you use any particular method?

This technique issue can be a big stumbling block, dividing students, teachers and performers into camps where loyalty and partisanship can end up excluding and dividing people who all love and play the same instrument.

I believe that having and following a technique is essential to the development of any musician, but I don’t believe that any one method is intrinsically superior to the others. If that were the case, we would only have fabulous performers from one of those many schools of thought.

So rather than trying to determine the “best” technique or method,...

Continue Reading...

My Favorite Music Quotes

music miscellany Sep 01, 2014

It’s Labor Day here in the US, a day our nation honors the contributions workers have made to the strength, prosperity, and well-being of our country. And how do we observe it? By taking the day off, and having one last barbecue to celebrate the end of summer vacations and our return to school and work.

Today I am celebrating Labor Day by sharing with you a dozen of my favorite quotes from my special file of quotes about music and musicians. Some are inspirational; some thought-provoking; some humorous. I hope you find one that will brighten your day. And I would love it if you would share one of your favorite music quotes in the comments below!



Where words fail, music speaks. – Hans Christian Andersen, Danish author (1805-1875)

When you play, never mind who listens to you. – Robert...

Continue Reading...

Are You a Greyhound or a German Shepherd?

uncategorized Aug 25, 2014

Are you a Greyhound or a German Shepherd, musically speaking?

Let me start with a story:

There once was a music teacher who had two students, approximately the same age and skill level. One week, she assigned each student the same new piece. The students were equally excited about learning the piece. When the students came back for their lessons the next week, however, there was a significant difference in their results.

The first student walked in saying, “It was so much fun – I learned the whole thing!” And though the student was able to get through the whole piece, there were countless misread notes, uneven tempos, rhythmic mistakes and thoughtless dynamics.

The second student started by saying, “I made pretty good progress.” This student had only learned the first section. It was very slow, but all the details were there: fingering, dynamics notes and rhythms. Good progress, yes, but it would clearly take many weeks before the end of the piece...

Continue Reading...

5 Ways to Make Your (Musical) Life Easier

music miscellany Aug 18, 2014

Wouldn’t we all like to make our lives easier? I certainly could use help with that myself.

For me, everything is easier when making music is enjoyable, rewarding and fun, with as little hassle or stress as possible. Unfortunately the stress and the music seem to be inseparable. Playing music provides plenty of challenges on its own, technical ones and musical ones. Then there are the logistical challenges of just getting the harp and myself from place to place and keeping my schedule in check.

As I’m gearing up to start a new season of concerts and teaching, I am giving some extra thought to making my musical life go more smoothly. I have managed to identify five things I can do to keep my stress levels low and my musical enjoyment high. I hope they will help you as well.

1. Get Organized.

If you’re at all like me, you are not a disorganized person; you’re just a victim of being a little too busy. I find that when I get very busy, I allow myself to let...

Continue Reading...

What’s next for you?

musicianship practicing Aug 11, 2014

What will you do next? 

I was able to spend a day at the Somerset Folk Harp Festival recently and it was a great day of harps, harp players, workshops and concerts. It was hard to choose which workshops to attend, there were so many great choices.

It brought to mind a question that many of my students ask themselves and then ask me. They want to know what is next for them. What’s the next piece I should learn? What’s the next skill I should develop? What’s the next step in my plan?

This is a concern of many of my adult students. They don’t want to waste their time and money. They want to learn to play the harp. They’re hard-working, motivated, and they want results.

Clearly, the next step will vary from student to student, but if these are the types of questions that you’ve been asking yourself, there are a few considerations that can help you arrive at the right answers for you.

Strengthen your foundation.

It never hurts to spend some time...

Continue Reading...

The Busy Harpist’s Checklist

performing practicing Aug 04, 2014

Last week on the blog, I wrote about things that busy professional harpists have learned that every harpist could benefit from. In the spirit of “turn around is fair play,” today I offer things that those same busy harpists need to remember. Actually, we all need to remember these things, and the busier you are, the more likely you are to forget how important they are.

But this isn’t a checklist of what you need to remember to take with you on the job. This is a checklist of what you need to remember to do when you get back home.

When you have a busy performing calendar, whether those performances are recitals or weddings, you learn to juggle. You juggle the music that you need to prepare, the logistics of getting you and your harp from place to place, and the financial uncertainty of busy and slow seasons. And there is some excitement and a little adrenalin rush in balancing all the commitments you have.

Unfortunately, if you don’t take time to pay attention...

Continue Reading...

50% Complete

Two Step

Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.