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7 Things Every Harpist Should Know Before Choosing a College

With the incredible variety and number of options, how do you make a good college choice? How can you find the right music program to get you where you want to go? Is a music conservatory the right choice for you?

Rest assured, there is at least one college, and most likely several colleges, that would be a good fit for you. But how do you figure out which one is right?

Center for the Arts, University of Delaware
photo: Jon Cox

I was very lucky in my college choice. I was able to go to the Curtis Institute of Music, one of the most prestigious music conservatories in the world. I was fortunate to have been accepted.

But I had given myself an ultimatum that could have ended my music career before it started. I decided to only apply at one other college. I would only go there if I weren’t accepted at Curtis. And if I weren’t accepted at Curtis, I would go into some other field of endeavor, not the harp or even anything related to music. I was lucky.


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Facebook for Musicians – What You MUST Know

music miscellany Jul 01, 2012


There is one important secret musicians often overlook in using Facebook to promote their careers and stay connected. It’s almost certainly something you already know but are not disciplined about. It’s this one fact: when it comes to Facebook and other social media, people ARE watching. I heard a Wall Street Journal report last week (this is the link to the published article) noting how employers and recruiters are using prospects’ personal Facebook profiles in hiring. In fact, scanning a candidate’s social media profiles is now a routine part of a hiring process.

But it can be part of a firing process too. I have heard recently of several instances where a musician’s comments about a gig situation have resulted in the loss of a job. Naturally, I will NOT provide details.

We all get used to using our social media accounts as a place to share the daily events of our lives, the good, the bad and the...

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A Harpist’s Summer Reading List

© bo

Summer reading is a great opportunity to explore new things – new ideas, harpists, people and places, different ways to think about the topics that interest you most. With your mind at its most relaxed, new discoveries can quickly take hold, leading you to new creativity and inspiration.

“You are the same today as you’ll be in five years except for two things, the books you read and the people you meet.” – Charlie “Tremendous” Jones

Below I list five books that I think are great summer reading. Some of them you may know well, but are definitely worth re-reading. Others may intrigue you. I certainly hope there is at least one that piques your interest. All of these books are available on Amazon, or wherever you choose to shop. Happy reading!

1. A String in the Harp by Nancy Bond. This novel will appeal to younger readers, around age 11 and up, although I first enjoyed it as an adult. This is a story of...

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The 5 Steps to GREAT Practice

© Dominick

All practice is not created equal. And GREAT practice leads to terrific performances.

I remember when I was a young harpist,  my mother would set the kitchen timer to make sure I did the amount of practice my teacher required each day. At that age, it couldn’t have been very long – maybe 20 minutes or a half hour – but often it seemed like hours before the timer bell would ring and I would be free. I remember clearly when I was a teenager and discovered there was a better way to practice, a way that was not only more effective but more enjoyable too.

And now, after many years of performing and teaching, I like to help my students understand 5 basic steps that will make their practice sessions interesting and productive. These skills form the acronym G-R-E-A-T, and they are the basis for GREAT practice habits.

1. Goal-setting for each practice session. It is important to have a practice ...

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10 Surefire Tips to Make Harp Camp Worth the Money

So you’re going to summer harp camp – congratulations! But you (or your parents) are very likely paying $1000 or more for a week of camp. So you need to make sure that you make the most of your opportunity.


Here are 10 things you should do to make your camp experience worth every penny:

Two weeks or more before you leave for camp:

1. Get prepared. Practice any music you will be playing at camp. Review the packing lists from your camp carefully, and make sure you have everything you need. Don’t pack at the last minute – it’s easy to forget something crucial if you’re feeling rushed.

As you leave for camp:

2. Put on the right attitude. What is the right attitude? Basically a spirit of adventure and a friendly smile. These will go a long way to relieving any anxiousness you may be feeling, and toward establishing new friendships. 

While you are at camp:

3. Make new friends. Camp friendships...

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The “Why” of Note Reading


If you are a monster sightreader and have perfect pitch, don’t read this article! Everyone else, read on…

After my last article on becoming a speedier reader, I received some interesting comments and questions, mostly about why and how we should be practicing reading notes. Let me try to address those issues here.

The “why” is all about connections. Here’s a story about connections, a tale of my first piano lessons. I was four years old, but that first book of John Thompson and the stickers my teacher put on each page as I completed it, are embedded in my memory. The book started with middle C and worked outward, adding notes up and down from middle C, one by one. The drills were disguised as little “pieces” with catchy names, and my teacher insisted on correct performance. That meant having the correct finger on the correct key in the best hand position my little hands could manage. And it meant...

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Last Minute Ways to Find More Summer Gigs- Five Things You Can Do Today!


Summer is here and perhaps your calendar isn’t looking as full as you’d like it to be. There is still time to get more work this summer, if you take action now. Here are five suggestions to get you moving.

1. Try busking, harp-style. As long as there have been musicians, there have been buskers, musicians who play in public spaces for whatever tips people will throw into their cases. And while harpists, especially those of us who play large concert harps, are challenged with logistical issues, busking is still possible, and can be a great way to earn some extra cash and build a following. Train stations, public parks, downtown corners, even parking lots can be great locations to add a touch of music to the environment. Do be aware that some communities have restrictions on busking in public places, so check ahead of time with your municipality to see what the local regulations are.

2. Showcase yourself at bridal shops and...

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Welcome to!

Welcome to, my new blog. This is the place where I hope to inspire your musicianship, strengthen your playing and help you discover new insights about the way you make music and play the harp


Why am I doing this? Because over my years (okay, decades) of performing and teaching, I find I have a lot of knowledge to share. I used to think I was the only one interested in my ideas about music, music study and playing the harp, but other people seem to find my thoughts helpful, and I’m glad to find this way to pass them along.

Who am I anyway? I’m Anne Sullivan, and I have spent my life learning and loving the harp. I am a harp performer and teacher. Formerly, I taught music theory and ear training at the Curtis Institute of Music in Philadelphia for nineteen years. You can find out more on the “About” page.

Lately I have been developing online study courses for harpists to...

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Big Picture vs. Little Picture Practice

aural skills practicing Jun 15, 2012

Sometimes we need a vacation to refresh our outlook on our work.  Last summer, I got the same benefit from someone else’s vacation.  That summer I was teaching Sara, an Italian harp student taking lessons from me while she was visiting relatives in Delaware, and she helped me rediscover some important truths about the way we practice.


At home, Sara is expected to have her music for her weekly lesson memorized.  Yes, each week. Memorized.  And she is only a high school student. (Are you feeling like a lazy American yet?) When I was at Curtis, I knew pianists and violinists who were required to do the same thing, but it was easy to brush that off, telling myself that harpists are different. (Obviously, I’m one of those lazy Americans.)

My revelation came when Sara and I started to work on some new material in her lesson.  I watched her learn, just a measure or two at a time, a passage of a difficult piece of...

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