“Throw a stone into the stream and the ripples that propagate themselves are the beautiful type of all influence.” Ralph Waldo Emerson
The ripple effect is generally understood to mean the expanding impact of a single action, for instance the increase in good feeling from a single good deed.
In harp playing, we seek a different, but no less impactful, type of ripple effect: the rippling effect of well-played and musical arpeggios. Arpeggios rank second only to glissandos as the most characteristic of harp sounds. They can bring out the warm, liquid tones of the harp, or sound heroic and virtuosic, as the music requires.
Clearly then, we harpists want to be sure our arpeggios have that magical ripple that comes from confident and secure playing. Let’s consider the three qualities of beautiful arpeggios and the seven keys to creating them in your arpeggios.
The Three Qualities
Probably the most obvious difference between a beautifully played arpeggio and...
A metronome is a must-have accessory for every musician. It can help you speed up your music or slow it down. It can help you fix your technique or line up a complicated rhythm. It can help you prepare to play in an ensemble or train your inner pulse so your solo music has a steady flow.
But just having the metronome on while you practice won’t necessarily help you attain any of these results. The metronome isn’t a magic cure. It’s a tool, and as with any tool, you need to know how to use it.
In order for you to get the most benefit from working with your metronome, it is helpful to know what your metronome can’t do for you.
Metronomes Can’t Count
I was working with a student some years ago who couldn’t figure out what the problem with her rhythm was. Her music seemed out of rhythm somehow. In her lesson, I told her that she needed to work with a metronome to keep the beat of her music steady. “I use the metronome every day,” she told...