Plan now for Christmas? You might be thinking that most of your holiday harp playing was planned long ago, possibly in the middle of the summer. I have always liked to prepare much of my holiday repertoire then too. But that’s just the first step.
What I want to share with you today are my three most powerful strategies for making sure that you don’t lose the ground you gained when you started practicing your music. Your holiday playing should be an enjoyable part of your holiday, not a source of extra stress.
For a long time, it seemed to me that no matter how prepared I felt at the beginning of November, things started to fall apart as the weeks went on. I didn’t have as much practice time as I expected, or choir directors added music to their programs, or something unexpected happened that created havoc in my jam-packed schedule. Despite my careful planning, I was harried and stressed.
But then I found the key to eliminating the crunch and the last-minute...
It was one of those flashback moments.
I was helping a student prepare for her first orchestra experience and suddenly, I was twelve years old, in my teacher’s studio, hearing her tell me some of the very same things.
My teacher was Marilyn Costello, principal harpist of the Philadelphia Orchestra, so obviously she was an expert at orchestral playing. Despite the thorough preparation she gave me, there were parts of my early orchestra experience that no one could have prepared me for.
There was the octogenarian conductor with the thick German accent who addressed me in rehearsal only as “leeetle gerrrrl.” There was the odd feeling of being alone in the middle of this large group, being the only harpist, the only musician without a “section” of colleagues and friends. And there was the strange experience of not playing continuously, of contributing in small, isolated moments, and counting vast numbers of bars of rests.
As I grew to understand my role as...